I’m pondering recollections of my fragmented mind. The swirling images are like butterflies in a net, popping and fluttering. A puzzle—pieces of memory scattered/shattered. The bits flung about. What is this fractured memory?
Tag: Palestine
-

On Fracture and Inheritance
-

‘Welcome to Hell:’ On Mohammad Sabaaneh’s Latest Graphic Novel

‘Welcome to Hell:’ On Mohammad Sabaaneh’s Graphic Novel by Nada Hodali “This is not just a story of prisons. It is a story of power, resistance, …
‘Welcome to Hell:’ On Mohammad Sabaaneh’s Latest Graphic NovelBy breaking down the body into geometric fragments, the cubist style perfectly captures the lived reality of Palestinians and the core message of this narrative. It fully illuminates the psychological experience of the occupation and its effects on Palestinians as a whole. The visual tension caused by cubism showcases the urgency of the situation at hand.
-

Inhabiting the Body of My Cede: A Journey from Ramallah to Philadelphia
Since the experience I had on Amtrak, I’ve whipped open the poetry collection I’ve been pecking at for years now. It’s on Palestine/ America/ Ireland/ diaspora—the details of which are still incubating and forming.
[ Read More ] -

JOIN ME ON SUBSTACK
A deep dive into the layers I usually skip over.
Read my first essay on my new Substack, and subscribe, share, comment- Histories Live in the Body
-

CURSIVE-CURSES AND CARVEL CONES/ A Childhood Memory
My childhood was a blur of stone pits and fig trees, anchored by a man who taught me how to grow life from the dirt, even while his bloodshot eyes were heavy with the reality of the news from Palestine.
CEDE #poetry by jay
Read more: CURSIVE-CURSES AND CARVEL CONES/ A Childhood Memory
like a bull / suntanned / cursing the news
back-breaking
bloodshot
fingering toward the moon
[Read the full poem here] -

Three Poems and Spoken Word – Gayle Greenlea

Lorca’s Bones In the hills above Granada and the hollow of the vega, a guitar weeps, defiant Its song will not be silenced. Heat, blood, toil, love …
Three Poems and Spoken Word – Gayle Greenlea -

NEW YEAR SELF-REFLECTIONS/ a GIVEN DURING these DIFFICULT TIMES
I am not one to share much in the way of personal stories, typically it is laced throughout my art and poetry on this blog. However, approaching the New Year self-reflection is a given and during these difficult times in history, I find myself compelled to share my story a bit more.
I’ve gathered a few facts below about who I am and where I came from. In that, I count my blessings everyday and lick my personal and collective wounds as well, recognizing the strength in embracing all of it. Cheers!
“ When I was young
I never needed anyone
And making love was just for fun
Those days are gone “
Eric Carmen 1975- I am the first born child out of 3, and I have 1 stepsister and a half sister who is 13 years younger than me.
- I am the 5th born cousin out of 46, or more, on my father’s side … What can I say, Palestinians are prolific.
- My father is one of nine siblings, 1 brother and 7 sisters.
- My mother is 1 of 6 siblings and her oldest brother died after childbirth.
- My childhood was spent meeting, greeting and watching my large extended family immigrate throughout the decades from Palestine to America, as the brutal occupation began to extend further into the West Bank, where my father’s family came from.
- I only had one set of grandparents, my Tetah and Cede. We spent almost every weekend at their house, it was our second home. I never knew my mother’s parents. I wish I did.
- My mother’s roots can be traced back to County Cork Ireland, and she’s damn proud of that fact, as she was pretty much parentless and grew up in an orphanage.
- My mother and father divorced when I was 11 and both remarried shortly after.
- My Tetah called me every year on my birthday until she passed away from congestive heart failure. I believe she had a bad heart because it ached so much for her homeland. I truly am a believer in the connection of our emotions to our body.
- My mother is 78 and has recently survived chemotherapy treatments for breast cancer and back surgery for spinal stenosis.
- I am the first one in my family to attend University and graduate with a degree, and I did it completely alone. My parents both dropped out of high school early and were consumed with survival and raising families.
- One of the worst and most defining things that ever happened in my life was losing my cousin Billy to suicide. I was 19 and he was 20, we grew up together playing baseball, riding the go karts we made from lawn mower parts, climbing old tree houses that we found in the woods…the usual kid things…and he was one of the funniest kids I knew.
- I have a 27 year old who is a successful and thriving individual. He is working as a full stack engineer in the tech industry and travels way more than I ever do. He currently lives in Brooklyn with his girlfriend and their little dachshund, Wally.
- I am married to the most beautiful and loving wife I ever could have imagined being with. Her name is Melody and she came into my life when my kid was twelve years old. We met in 2008 while working in television together, she now works as the Director of Development at the largest and oldest subscription based theatre in the state of Florida.
I leave you here with a poem I wrote about another defining moment in my life that I experienced as a very young child. May your 2024 be better, blessed and bountiful, and most of all peace in Gaza! —
ATLANTIC CITY
The beer cans flung
from the boardwalk
onto the beach/ whistling
as the jeers and taunts
land like a thud
onto my little head/ of four
not more/ I think/ I recall.
Thoughts of her and us
and the clan
the damaged goods walking
along the hot sand
of Atlantic City’s filth.
The foul mouthed and long-toothed
the ringers and boomerangers
the insults hanging
like that strange fruit—
from lips drunk with hate
and love commingling with fear
as Tetah winks at me
and wonders to herself I can tell
wanting to believe that
none of this is happening.
We’ll find a quiet place somewhere
to set down she hopes
and enjoy this American past-time
of beach combing and sun tanning
amongst the hate—
the garbage lobbed like missiles
onto us/ around us/ missing us
but on target anyhow somehow.
The Atlantic City beach-line pounding
inaudible sounds/ a ringing city
by the Jersey shoreline—
hotels tower/ gotham-like
loom large as bats/ against the skyline
as the pilgrims descendants
shout and wave and chant
in terroristic mantras
filtering out
the family fun of that day.
But/ I felt the shifting earth imbalance
slipping in quicksand
a throttling motion toward the waves
undone/ undone/ it’s come undone.
How? Why?
Do they not see
the love/ the beauty
in my Tetah/ in my Cede
my father/ my mother/ me
my family/ all of them
Do they not see/ like me?
I don’t know/ there were like 20 of us
we were a big clan then
and even more so now
anyhow—
the display of hatred landed hard that day/ 1969…70?
you know how it is/ I was four or so
I don’t know
but the pulse of that moment beating/ hard/ fast
it left a permanent mark on my soul.
The dark mark of that
dark family from Ramallah
has crawled from their hole
and dare share the beach
with the pilgrims descendants.
I mean c’mon please!
Perhaps they can’t see
the love of my Tetah
as she speaks Arabic
frantically glancing away
from the anger that flashes
momentarily
a repeat/ on repeat—
they suffer to integrate
in a land/ not there
not yet their home
trying to find peace
Integrate at once!
And pretend it’s home—
it’s not/ it’s not
it’s just not.
The bruising and battle-burns
mark their soul.
Integrate/ integrate/ and pretend
that it's home!
It’s not/ it’s not
it’s just not.© Jay Mora-Shihadeh
Photo by Jeremy Pagden on Unsplash
-

Reblogged from Tracy Abell- Palestinian poetry, part 2

Running Orders By Lena Khalaf Tuffaha They call us now, before they drop the bombs. The phone rings and someone who knows my first name calls and …
Palestinian poetry, part 2 -

Here I Stand On Torrid Land
here i stand on torrid land
my spirit wandering the dusty sand
of fig trees, khubz and floured hands
i stand just
foot driven deep
in earth’s crust
sure-footed grip of rocks and mortar
my soul ripped in two
by grief’s torture
small hands grasped lightly
by the remembrance of her
soft dough-baked grip of salt, of land
ancient yet present her cherub eyes danced
table-side love, she spoon-fed her clan
with grape leaves and olives
and not so dainty meat pastries
prepared from the vines, toiled by cede’s hand
his backyard bounty, his dreams — their dreams
of their homeland and my dreams of
hot cement days and barefooted children
pretending the dawali are stacks of cigars
stuffed and rolled, stacked high on big plates
the dawali grew higher
creating bigger heaps
of make-believe
fun time with cousins
longing for the smells of dusty left behind relics
that bespeak of them, their belongings
the hookah, the 8 track tapes, belting out loud arabic music
the robe and keffiyeh my grandfather wore not so long ago
in ramallah, the curious one that later became a halloween costume
worn by my childhood friend
and that old oriental rug beaten by history
splayed across the living-room floor, adding an air of the exotic
to their mundane colonial suburban sofa
the lamb and garlic stained air, smelt early at daybreak
always there, lingering about
oiled-hot-pots full, brimming with tomato broth baths
and grown ups lamenting the evening news, the war, the fight
for the return of their land, usurped by foreign man
those that had suffered atrocities of their own
have turned ugly, heaping nails, spitting bulldozers
claiming god has promised this to them
easily they slipped between tongues
english and arabic at once
they were here/there simultaneously
they had created a new language, one easily understood by us
and me, absorbing all this with my round brown eyes
unaware of my future task
silently inhaling the smoke of my
family’s lingering rage, the kind of rage
that clings to the walls, to the curtains, to the furniture, to me
to my stuffed pink panther
the one i loved so much for its unique shape and color
the color of bubble gum and pink lemonade — but the rage!
the rage had to be scrubbed off the walls, scrubbed off the furniture
scrubbed off my clothes, scrubbed, scrubbed, scrubbed!
and i
inherited this task unknowingly.
©Jay Mora-Shihadeh
Photo by FAICAL Zaramod from Pexels
-

THE POET SHOUTS #poetry by jay
And so it goes, and it came like this–
you may like it,
or you may not…
The Poet Shouts Versefully Out
The crowd stops and gathers about
He stands tall and projects
Do Not Forget-
Do not forget from whence you came!
It may be a long away flicker- but it burns like the embers
in the fires of life!
What, you say, Does This all Mean?
It means, that we will not lay down and die.
” For what greatness does this betray to lie down and die? “
The greatness of our land
the beauty and justness in our being!
The great land we know in Palestine.
‘Oh the tales he weaves
the shoulders he stands on
whirling dervishly
he sings, he shouts…
Palestine Rises!
Victory is on our horizon.
Palestine shines, like the ripeness of the sun on our olive trees
It shines in the pupils of our youth, in the spirit of our elderly
Palestine shines! Palestine rises! Palestine lives!
As the crowd spun around
pinned silently to this sacred ground
entranced by his
profound sagely sound
he continued
aloud…
Palestine complete.
Palestine is burning, it is bleeding
in the streets.
The people are rising up
to face their enemies
Almighty fighters
who sacrifice complete
Complete sacrifice…
Until the sun is shining again
over the beauty of our Palestine
Palestine complete!
And in a misty subdued haze
the crowd dispersed
into the forward gaze
of a poet left
in an unshaken state,
stepping down, for now
until further regain.
that’s the story of how it came to be…
©Jay Mora-Shihadeh
#Poet #Palestinian
Photo by Hulki Okan Tabak on Unsplash
-

Poetry about my beloved grandmother, Tetah.
Tateh ( grandmother ) and CeDe ( grandfather) circa 1937
Someone recently visited this poem I wrote back in 2012, about my feelings of missing my Tetah. It was a treat to revisit her again, thank you @Luisa Zambrotta
Our Storyteller
Upon the landscape of your face
tumbling from the folds of your laughing brow
and between the creases of your weathered jowl
I see the history of Palestine.
I see children playing under olive trees, and goats
grazing on grass. Your eyes sparkle and sing, as though
you were still a child running through the dusty
rock strewn roads of Ramallah.
You are laughing with your little sister, escaping
from the neighborhood boys you were teasing; taunting.
Perhaps one of them a young Hanna Shihadeh, our grandfather;
at least these are the stories you told us.
I delighted, relished every word you spoke
of your life. I saw magic in your eyes
when you enchanted our hearts
with your stories of Palestine.
You – solid, sturdy and present.
You – soft, strong and pliant.
You – heart, song and pleasant.
You – Tateh, our beloved link to our history, our culture, our people.
You were our land, our fig tree, our grapevine, our seed.
You were our small patch of fertile earth. You fed our souls
and minds with the world, with “otherworldliness”.
You fed our spirits with story, with beauty, and with freedom.
Your solid girth seemed rooted
deep in humanity, reminding us of
the vastness of love, when we became lost;
disconnected from it.
Storyteller of our bloodlines,
of our rich hearts
and our sad people,
tell me another story.
Give me a bone,
an olive branch, or perhaps
one of your two – eyed winks
to remind my soul you were real.
And that I am part of history; of an ancient great Palestine
that seems so distant, so foreign from me now.
Tell me again how you came to be locked in the landscape
of memory, of story, of history. Tell me again.
Niemeh Grace Shihadeh
Tetah tending to her grapevine, with one of her many great grandchildren. She loved making fresh Dawali (stuffed grape leaves) from her beloved grapevine. She is missed and loved very much. Intenie Bosa!
Yum Food!! Yum Art!!
Here is a link to another poem I wrote about my memories with my grandparents, enjoy!
© [Jay Mora-Shihadeh] and [artistfromtheinsideout.wordpress.com], [2012]. Unauthorized use and/or duplication of this material, artwork, or photo’s without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to [Jay Mora-Shihadeh] and [artistfromtheinsideout.wordpress.com] with appropriate and specific direction to the original content.
-

Khubz! The Staff of Life.
I love bread. After all it is the staff of life, as I always say to my fiancée’ as she lovingly mocks my addiction to good fresh bread!
I especially love Khubz, the bread my Tateh (grandmother) made her entire life. It is a style of bread that comes from Palestine and the Middle East. A type of Pita bread, there are several types of Khubz, this version is the Taboon style bread baked over small hot stones.
My memories of my childhood and into adulthood are of her waking up in the morning getting out her trusty giant metal bowl, carefully placing it between her knee’s on a chair and vigorously kneading dough to make freshly baked khubz. She had these round river stones in her oven and she would place the fresh dough on the stones and bake the dough into a puffed, bubbly browned pillow of deliciousness! Hot fresh and stacked high for all of my large extended family to devour in one day!
Well, I decided in all my years of culinary adventures to attempt to make khubz for the first time! I found a lot of stones in a nearby park. “Wild ones” as my Aunt Mary curiously noted, because the store-bought ones tend to explode more in the oven. I laughed at the thought of “wild stones”.
I washed them 3 times and then boiled them for 15 minutes to disinfect them. I then tested them in the oven at 450 degrees for 20 minutes, no explosions! I was free to bake, and excited to taste my newly created masterpieces. I think I may have a new addiction, ha!
My wok doubling as a mixing bowl.
I made 10 smaller loaves out of that big pile of dough. Six cups of flour made 8-10 loaves just depends on your preference.
My shapes were very rustic and they varied greatly, I do believe Tateh’s shapes were more round and consistent, but who’s knocking rustic!
Carefully placed 2 at a time, if I had a bigger oven it would go faster, some day.
Through the glass of my oven. A beautiful golden color developing.
Crusty, fresh and hot outta the oven, the best way to enjoy freshly baked Khubz, yum and double yum!
Look who popped up, he couldn’t wait to take a BIG bite.
Stacked high and ready to devour. I love rustic and these loaves live up to that, for sure. I believe Tateh would’ve loved them too. I will keep perfecting and experimenting with baking khubz (Taboon style) and look out for my future posts about the uses of this versatile and ancient style of bread.
Costumes, characters and ceremonies, etc. Village oven. (Photo credit: Wikipedia) Yum Food!! Yum Art!!
© [Jay Mora-Shihadeh] and [artistfromtheinsideout.wordpress.com], [2012]. Unauthorized use and/or duplication of this material, artwork, or photo’s without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to [Jay Mora-Shihadeh] and [artistfromtheinsideout.wordpress.com] with appropriate and specific direction to the original content.
Related articles
- Making Artisan Bread (coquette.blogs.com)
- In Pursuit of Ciabatta (almostalwayshungry.wordpress.com)















